Sylvie has been a twelve-year-old princess for more than eighty years, ever since the book she lives in was first printed. She’s the heroine, and her story is exciting — but that’s the trouble. Her story is always exciting in the same way. Sylvie longs to get away and explore the world outside the confines of her book.
When she breaks the cardinal rule of all storybook characters and looks up at the Reader, Sylvie begins a journey that not even she could have anticipated. And what she accomplishes goes beyond any great good thing she could have imagined…
Great family read aloud! I read this for the first time several years ago and remembered liking it. I could remember the very basics of the plot and characters, so when I spotted the book again while perusing our bookshelves I wanted to read it again to remember the details. I had been looking for something to read aloud with my kids that would be of interest to a wide span of ages, but also have substance, and possibly be something they may not pick up on their own. From what I could remember The Great Good Thing seemed like it would fit the bill nicely.
It was fun trying to explain to my kids what it was about when they asked. “Well…it’s about characters in a book.” The looks on their faces showed clearly the response, “Duh. That’s what all books are about.” “No really, it’s about characters in a book, in the book. And what they are doing when someone is not reading their book.” The light of understanding began to glimmer.
My description didn’t thrill them, but they were willing to let me read aloud the first chapter and then if they really hated it we’d choose something else. Let’s just say we read 3 chapters that first night. As my 11 and 13 year old daughters were heading off to bed after we finished reading I asked them what they thought. Their silence and little smirks told me all I needed to know. They were intrigued, but they couldn’t possibly admit to their mother that maybe I had been right about this book choice.
So we continued reading, and not one of us, from my 6 year old son to my 13 year old daughter, wanted to miss read aloud each night. It’s an easy read, but not boringly simple in plot, character development, or language. It’s such a satisfying fantasy to imagine favorite book characters as truly living in their own book world and being our friends to help us through good times and bad.
Age Recommendation:The Great Good Thing brings to mind fairy tales which we know and love at any age. For our family it was perfect for 6 years old and up. If this were being read in a classroom setting or as an independent read I would suggest it for 3rd grade and older.
Appropriateness: Clean as can be. Nothing to worry about in this one. The Great Good Thing provides great classroom and/or book club discussion in relation to how aging and change is a necessary part of life, how creativity can help us deal with difficult circumstances, and what makes a person or an action “great” and/or “good.”
In The Golem and the Jinni, a chance meeting between mythical beings takes readers on a dazzling journey through cultures in turn-of-the-century New York.
Chava is a golem, a creature made of clay, brought to life by a disgraced rabbi who dabbles in dark Kabbalistic magic and dies at sea on the voyage from Poland. Chava is unmoored and adrift as the ship arrives in New York harbor in 1899.
Ahmad is a jinni, a being of fire born in the ancient Syrian desert, trapped in an old copper flask, and released in New York City, though still not entirely free.
Ahmad and Chava become unlikely friends and soul mates with a mystical connection. Helene Wecker’s debut novel weaves strands of Yiddish and Middle Eastern literature, historical fiction and magical fable, into a wondrously inventive and unforgettable tale.
I almost didn’t finish this one because it had a really slow start for me; there were a lot of characters to meet and some were interesting, others I wasn’t so sure about. There were multiple cultures, eras in time, and settings. At first it took some work to keep it all straight and I wasn’t sure if I cared enough to try. I was curious to see how it would all fit together which kept me reading, and I was eventually drawn in and finished the last 2/3 pretty quickly.
I enjoyed the history, philosophy, and theology woven into the fantasy. By the end I found all of the characters fascinating and intricate. Each gave unique insight into the book’s themes; I appreciated that each had weakness and strength and it was their choices that determined the total sum of each of their parts. When the sequel is available I will likely pick it up.
Age Recommendation: I wouldn’t give this book to my teens. Adult readers with more life experience will relate better to character’s individuals struggles and choices, and the book’s themes.
Appropriateness: Mention of and focus on sex was beyond my comfort level, but not so graphic that it kept me from finishing. I didn’t find the language offensive.
There is plenty of material for book club discussion regarding faith, religion, cultural tradition, immigration, nature vs. nurture, and responsibility for and importance of agency.
All 12-year-old Marinka wants is a friend. A real friend. Not like her house with chicken legs. Sure, the house can play games like tag and hide-and-seek, but Marinka longs for a human companion. Someone she can talk to and share secrets with.
But that’s tough when your grandmother is a Yaga, a guardian who guides the dead into the afterlife. It’s even harder when you live in a house that wanders all over the world . . . carrying you with it. So when Marinka stumbles across the chance to make a real friend, she breaks all the rules . . . with devastating consequences.
If I hadn’t seen this book in a scholastic book order for only $3 I’m not sure it would have ever caught my attention. But I’m glad it did. The idea of guardians who guide the dead each night to the afterlife combined with aspects of Russian culture was very interesting. What I appreciated most was the look into the struggle it can be to feel like you fit in anywhere, especially in those early teen years. And the portrayal of the guilt that comes when we make choices we know deep down are wrong. Add to that having to deal with the consequences of those choices and take responsibility for them and I feel this is a great read for any middle grade to early teen reader (or for an adult who just enjoys children’s literature). The teaching points are effective without being preachy. The characters are likable and relatable in their imperfections, while also being “good.”
This is not an epic story or adventure, so the rules of the fantasy world are not overly explicit, but that didn’t interfere with the entertainment value for me. However, I think I would have given 4 stars if the ending had had a little more umph to it. It seemed to resolve rather neatly rather quickly, without fully explaining how exactly the change in “rules” was possible. The story has folktale/fairytale/fable feel, or like a or a tale that might have fit in the Russian version of Arabian Nights – cute, entertaining, quick to get into and quick to finish.
Age Recommendation: Perfect read for middle grades on up.
Appropriateness: Death is an integral part of the story which may be a sensitive topic for some, but it’s addressed with such warmth and care that there isn’t anything sensationalized.
Classroom Use: This would be an ideal read aloud from grades 3-6. So much discussion material about death, choices, consequences, destiny, family, friendship, loneliness, love, not to mention the Russian culture and the geographical locations of the various story settings.
Edward (long live the king) is the King of England. He’s also dying, which is inconvenient, as he’s only sixteen and he’d much rather be planning for his first kiss…
Jane (reads too many books) is Edward’s cousin, and far more interested in books than romance. Unfortunately for Jane, Edward has arranged to marry her off to secure the line of succession before he dies. And there’s something a little odd about her intended…
Gifford (call him G) is a horse. That is, he’s an Eðian (eth-y-un, for the uninitiated). Every day at dawn he becomes a noble chestnut steed—but then he wakes at dusk with a mouthful of hay. It’s all very undignified.
The plot thickens as Edward, Jane, and G are drawn into a dangerous conspiracy and the fate of the kingdom is at stake.
I was completely surprised by how “good” of a read this one was. I was expecting humor and silliness, but I wasn’t expecting to actually be caught up in a well structured, well told, exciting, and enthralling story. It reminded me of “The Princess Bride” with lovable characters, romance, good guys and bad guys and some in between, swashbuckling excitement, all while not taking itself too seriously and using cliche and one-liners to perfection.
I am impressed with the authors’ skills in balancing all of the aspects of good story and writing with laugh out loud silliness. The jokes are weaved into this alternate reality of historical events with both subtlety and transparent nonsense, and it works both ways. Yet the humor doesn’t become higher priority than the story-telling, so it’s satisfying entertainment. I was cheering for love and justice to win in the end and intrigued by how it would be done.
Ironically, this fantasy “spoof” of the Tudor time period inspired me to research and learn more about the actual events that inspired the book, so I now have a much greater understanding of the English monarchy from Henry VIII to Elizabeth I. I love the series “Victoria” on PBS so I even took my study a little further to see how the chain of the monarchy led to her reign as well.
This is a one of a kind young adult fiction and a thoroughly enjoyable one too.
Age Recommendation: Some understanding of history will add to the enjoyment of the genius and humor of this book so I would recommend it to 15 and older.
Appropriateness: The subject of “consummating marriage” comes up a bit, and there are some other references to kissing and sex. Some of it may be bordering on crude for some readers, but in the spirit of the book I found it all hilarious, endearing, or relatable and accurate. There is kissing and characters are often found naked due to the condition of sporadically changing into animals, but none of the description is sensationalized or gratuitous.
So I found it ironic that I found myself this Christmas season thinking again about C.S. Lewis’s The Chronicles of Narnia. This year though I been thinking about a part in the last book of the series.
In The Last Battle all of the great kings and queens and friends of Narnia have been brought together to defend the land they love from invaders and traitors. The battle converges around a stable in which the heroes of our story believe they will meet the terrifying God of their enemies. But instead, upon entering they find they have been magically transported to another world.
One characters comments, “It seems then…that the stable seen from within and the stable seen from without are two different places.”
“Yes,” replies Lord Digory. “Its inside is bigger than its outside.”
Then Queen Lucy adds, “Yes, in our world too, a stable once had something inside it that was bigger than our whole world.”
Obviously, Queen Lucy is referring to the stable in which the Savior of our world was born; and His presence there, His mission to atone for the sins and heartache of the world was much bigger, more eternal, more important, more divine, and more beautiful than the size and appearance of that basic enclosure for animals. That really was the point. Jesus Christ’s birth in a lowly stable set the stage for the rest of His life and for the faith required to receive Him and be saved.
Isaiah explains it best –
“For he shall grow up before him as a tender plant, and as a root out of a dry ground: he hath no form nor comeliness; and when we shall see him, there is no beauty that we should desire him.
He is despised and rejected of men; a man of sorrows, and acquainted with grief: and we hid as it were our faces from him; he was despised, and we esteemed him not.
Surely he hath borne our griefs, and carried our sorrows: yet we did esteem him stricken, smitten of God, and afflicted.
But he was wounded for our transgressions, he was bruised for our iniquities: the chastisement of our peace was upon him; and with his stripes we are healed.” – Isaiah 53:2-5
Even Had Christ been born in a lavishly adorned palace, or some other place deemed more suitable to a person of His importance and divinity, He still would have been “bigger” than that structure. Which makes the meekness of His birth all the more humbling and impactful. The event was heralded grandly by angels and a new star in the heavens; yet, it was the meek and humble who heard and saw and were called to come and see the sacredness of that place. The place and manner of His birth show his divinity as God’s beloved Son, as well as His mission as the Son of man, our brother, our advocate with the Father, our friend. “He that ascended up on high, as also he descended below all things, in that he comprehended all things, that he might be in all and through all things, the light of truth” (Doctrine and Covenants 88:6).
We too, like the stable, have much more on the inside than what is outwardly visible. We have divine potential as children of our Heavenly Father; because of the gift of a Savior our potential can be realized as we follow Him and learn and grow line upon line. As we partake of the power of Christ’s atonement through repentance, faith, charity, and good works, we become more, become better, become bigger than what we can ever be on our own. One of the great beauties of the Christmas season is how much more we all look for and see “the stable” in others, which inspires us to behave with more kindness, patience, and love toward them as well.
It may seem at times that our lives resemble the stable because we feel unexceptional or even unclean. Perhaps circumstances or events outside of our control are as unpleasant as the smell of livestock. But I think it’s comforting to know that Jesus Christ wasn’t born in a stable by mistake. It was fulfillment of prophecy and God’s plan. From the outside His birthplace seems at odds with his divine heritage; in fact, from an outsiders perspective Christ’s entire life was lacking the prestige and luxury that would normally be attributed to a great leader, king, and savior.
But when we look beyond the outward appearance, when we act in faith and enter “the stable,” from the inside we can see with different eyes. The Lord’s message and purpose becomes clearer, and our lives hold greater meaning and joy.
“Christ hath said: If ye will have faith in me ye shall have power to do whatsoever thing is expedient in me. And he hath said: Repent all ye ends of the earth, and come unto me, and be baptized in my name, and have faith in me, that ye may be saved.
Wherefore, if a man have faith he must needs have hope; for without faith there cannot be any hope. And what is it that ye shall hope for? Behold I say unto you that ye shall have hope through the atonement of Christ and the power of his resurrection, to be raised unto life eternal, and this because of your faith in him according to the promise.
If a man be meek and lowly in heart, and confesses by the power of the Holy Ghost that Jesus is the Christ, he must needs have charity; for if he have not charity he is nothing; wherefore he must needs have charity.
And charity suffereth long, and is kind, and envieth not, and is not puffed up, seeketh not her own, is not easily provoked, thinketh no evil, and rejoiceth not in iniquity but rejoiceth in the truth, beareth all things, believeth all things, hopeth all things, endureth all things.
Wherefore, my beloved brethren, if ye have not charity, ye are nothing, for charity never faileth. Wherefore, cleave unto charity, which is the greatest of all…Charity is the pure love of Christ, and it endureth forever; and whoso is found possessed of it at the last day, it shall be well with him.
Wherefore, my beloved brethren, pray unto the Father with all the energy of heart, that ye may be filled with this love, which he hath bestowed upon all who are true followers of his Son, Jesus Christ; that ye may become the sons of God; that when he shall appear we shall be like him, for we shall see him as he is; that we may have this hope; that we may be purified even as he is pure.” (selected verses from Moroni chapter 7.)
I love how the light, joy, and love of the Christmas season helps me to see better and focus more on the Light of the World, Jesus Christ. In this world full of uncertainty, suffering, and sin a humble “stable” is often overlooked or ridiculed; it’s lack of status and beauty may be seen as a sign of weakness, naivety, or stupidity. But just like all those thousands of years ago I know the Savior is inside that stable waiting and wanting to receive all of God’s children. His invitation is still current and it is addressed to us all: “And I say unto you, Ask, and it shall be given you; seek, and ye shall find; knock, and it shall be opened unto you.” (Luke 11:9) Once we enter we will find more than we could have imagined, something “bigger than our whole world.” Almost another world entirely.
After a raging fire consumes her town and kills her parents, Maggie Davis is on her own to protect her younger sister and survive best she can in the Colorado town of Burning Mesa. In Maggie’s world, the bones of long-extinct magical creatures such as dragons and sirens are mined and traded for their residual magical elements, and harnessing these relics’ powers allows the user to wield fire, turn invisible, or heal even the worst of injuries.
When she proves to have a particular skill at harnessing the relics’ powers, Maggie is whisked away to the glamorous hacienda of Álvar Castilla, the wealthy young relic baron When mysterious fires burn neighboring towns, Maggie must discover who is channeling relic magic for evil before it’s too late.
A fast-paced adventure with all of the classic elements of the wild west along with the unexpected element of magic and creatures of fantasy. I was caught up in the storytelling and the mystery immediately. The characters are interesting and lovable and human with faults and redeeming qualities. The world is inviting and easy to picture with great description. The writing is well done and perfect for the genre.
When I started the book I thought it was going to be a 4 star read because it was such a unique setting. I really liked aspects of the book, but in the end it also felt incomplete. Part of that, I’m sure, comes from that the author must have planned more books for this story, but for whatever reason they haven’t been published. There were just way to many unresolved issues for there not to be more. Knowing that I may never get the full story makes it hard to be in love with the book.
But, even if there were to be more books written there were holes in this story that I would have liked to see better addressed. More information about Maggie’s parents would have been helpful. I didn’t feel like I got a complete picture of her relationship with them. I also had questions about the history of the world in the book especially in relation to the relics. It seemed that with such magic and power available throughout the book’s world that problems with the misuse of that power would be common. I wondered what kind of structure or government was in play to prevent such lack of control, or if there wasn’t any such structure or government what other serious tragedies occurred in the history of the world? There would have had to be some. I also wanted more info on the historical dealings between the Apache’s and the townsfolk.
The other aspect of the book that didn’t work for me was Maggie’s realization/change of mindset when she was at rock bottom. She comes to the conclusion that she needs to stop running from or avoiding the problems in her life. From my perspective, she never was running from her problems. She took responsibility when needed, she jumped in and stood up for her truth, she helped others, and she was constantly being brave and taking chances to try to deal with her problems. I didn’t really see a transformation of her character through the book; she simply gained more information. I don’t think Maggie necessarily needed to transform. She was a pretty strong and likable character, so there just needed to be a different instrument for pushing the action forward.
None of my critques take away from how entertained I was throughout the book. It was a perfect read to just get carried away in a good story for a little while. I think the changes and additions that I would like to see would just make it a very memorable read and more impactful. The creativity of the world provides so much potential.
Age Recommendation: This is a young adult fiction and is perfect for young adults. I’d say as young as 14 could enjoy it.
Appropriateness: Saloon girls are a big part of the story and there is definite mention of whores and prostitution. There is attempted seduction as well, but none of it is described graphically. It could bother some readers, but because it wasn’t glorified or overly descriptive it didn’t bother me.
Readers meet Pumpker, a little boy pumpkin, when he is just a slim white seed being planted along with his sisters. Follow his journey of hopes and dreams as he grows to a pumpkin.
My favorite part of this book was the illustrations. They capture the whimsy of a pumpkin longing for a place to belong and to bring happiness to the world while also capturing the color and feel of autumn and the childhood excitement of Halloween.
The idea of this book is very cute. I was interested in seeing how a young 5th grade author would personify a pumpkin and portray his “life’s journey.” I was impressed by the author’s descriptive writing. However, there were too many words on each page for a picture book. Even as an adult I felt bogged down, so I think young readers will find it difficult to get through the words on each page.
Even with all of the words I didn’t feel completely satisfied in the little pumpkin’s journey. I couldn’t really latch on to a theme or purpose for the story. There wasn’t any one element that tied the stages of development of this pumpkin together so it felt too random. The pumpkin’s character traits weren’t consistent, so the story lacked cohesiveness for me. But the author is young; I have no doubt that with time and more writing she will gain more skill in story building and fleshing out plots and characters. She already possesses a true talent with words so I look forward to seeing more work from her in the future.
While I don’t think young readers will necessarily enjoy this story as much reading it on their own, I do think it has great value as a read-aloud and could be used in so many ways in an elementary school classroom. As a read-aloud you could easily skip some of the overlong text and summarize more quickly the main idea. The illustrations will definitely be able to keep children’s interest.
In the classroom I would love to use this book as an introduction to a creative writing assignment in which students would be required to personify an inanimate object, or to write from a unique perspective. The pumpkin’s journey to find his purpose in life would be a great way to get students’ creative juices flowing.
You could take it a step further even and add a social studies or science correlation. From Dark to Light provides a basic and entertaining view of the stages in seed growth. It also gives some material for the study of communities, occupations, and goods and services. You have the farmer who plants the seed, takes care of and grows the plant, then the consumer who buys and uses it. It would be valuable to read this book and then have students come up with their own story about the stages in seed growth about another type of plant. Or, they could take some other product and write a story to show how it is produced and then used in a community.
With Halloween just around the corner, the most obvious use of this book would be just pure fun and getting kids excited about holiday traditions. From Dark to Light definitely got me thinking about just how I want to carve the perfectly orange pumpkin currently sitting on my front porch.
Age Recommendation: This book is written for young readers and I think ages 3-8 would enjoy it most. However, because there are so many words on each page there may need to be some editing and summarizing to make it more in sync with their attention spans.
Appropriateness: Perfectly clean book with a feel-good ending.
Poor Princess Anya. Forced to live with her evil stepmother’s new husband, her evil stepstepfather. Forced to go on the run when her stepstepfather decides to make the kingdom entirely his own.
Aided by a loyal talking dog, a boy thief trapped in the body of a newt, and some extraordinarily mischievous wizards, Anya sets off on a Quest that, if she plays it right, will ultimately free her land—and teach her a thing or two about the use of power, the effectiveness of a well-placed pucker, and the finding of friends in places both high and low.
I really thought I would love this book after reading the first chapter. It was witty and smart, and the characters were humorous and engaging with their quirks. The first chapter was so clever, in fact, that I decided to try it as a read-aloud in my 3rd grade class. I could tell, however, after reading the first chapter to them that the prose, witticism, and irony was too complex for 8 and 9 year olds. This one is probably better suited for 5 and 6 graders.
I was caught up in the wit, however, so it was easy to read the next couple of chapters on my own. I didn’t get too much further into the book before I began to lose interest. The progress of the storyline just felt slow. A lot of little details were given about this journey the princess and her loyal dog companion are forced to go on to save her little kingdom, details that didn’t seem to help move the story along or aid in character development. They seemed meaningless, aimless, and the book became boring.
I think I had also expected a little more from the princess. I had expected a little more courage and selflessness from the main character. In the first chapter she seemed to be smart and capable, but as the book continued she came across as whiny, naive, and selfish. The development for the supporting characters was lacking so I didn’t really care much about any of them either. Wading through gratuitous detail to find out what happens to shallow characters became a chore, not a pleasure.
I actually put this book down for several months before finishing it because I got busy with moving and other books came my way that I was more interested in reading. I picked the book up again though because one of my students had given it to me and I felt like I should finish it as a matter of principle. And memories of the fun first chapter gave me hope that it might improve.
So I trudged on. The pace picked up slightly in the second half of the book which made it a little easier to read on, but I never felt fully invested in the characters or the problem. Taking a break for several months probably didn’t help in that regard.
Eventually I finished and I can say that it was a unique and interesting adventure with some clever storytelling, like the connections to classic fairytale characters. But overall it moved too slowly and didn’t provide much continuity between events or characters to truly provide satisfying entertainment. Nor was it deep enough in ideas or theme to be influential. It gets 3 stars for decent prose and because I’m sure some readers would love it, particularly younger readers who have interest in epic fantasy. They would likely appreciate all of the detail and the use of a journey that adds characters little by little as the plot progression tool. I am not an epic fantasy fan, so it didn’t do much for me, but I can see how it might for others.
Age Recommendation: The writing was clearly too boring for my third graders, even my advanced readers in the class. So I recommend this for ages 11 to 14, particularly fans of fantasy, or as an introduction to fantasy.
Appropriateness: Totally clean book; nothing to worry about in the content. There is a cruel and ruthless villain but his actions and the description of his actions are appropriate for the age of the target audience.
Toad-in-a-Cage Castle was filled with secrets–secrets such as the hidden passages that led to every room, the long stairway that wound down to the dungeon, and the weird creature named Igor who lived there. William’s own past was mystery to even him, but it was the mysterious night noises that bothered William the most–the strange moans that drifted through the halls of the castle where he was raised.
He wanted to know what caused them.
Then one night they called his name….
My 4th grade teacher read this book to our class and I remember getting completely caught up in the story and the characters. It was one of the first books I read (or had read to me) that really had me on the edge of my seat.
So when it got to the point in the school year when I knew there would only be time to read one more book to my 3rd grade class I wanted it to be this one. I hadn’t read the book since hearing it for the first time at 10 years old, and I didn’t remember much of the details or the plot really; but with such fond memories of it I was confident none of us would be disappointed.
It turned out to be even better than I expected. It was the perfect read-aloud to end the year with. At the end of every chapter I would hear students either aloud or under the breath pleading, “Don’t stop! Please keep reading!” They (and me) couldn’t wait to unravel the mysteries of Toad-in-a-Cage castle. Bruce Coville has a real knack for humor but he also nailed the action and suspense-building in this one. It’s a quick and easy read, but not dumbed-down. It presents a well-rounded story arc with a variety of colorful characters which makes it so fun to actually read aloud.
There isn’t a lot of depth to the plot or character development that could lead to real analytical discussions, but this one is perfect for practicing the skill in the language arts curriculum of making and revising predictions. Lots of cliffhangers to provide text evidence with which to formulate predictions. You could also explore text structures throughout the book such as Problem and Solution, and Cause and Effect.
We finished the book on the 2nd to the last day of school, so we didn’t have time to do much else with it, but it would lend itself well to book reports and other projects like drawing or modeling what students imagine the goblins or their kingdom to look like. Students could write poetry or descriptive writing to articulate what they think it would have been like to be trapped in the tower like the goblins were.
But it’s important not to overanalyze or overthink this one. It really is just meant to entertain and excite, and it does a fabulous job of it.
Age Recommendation: It was perfect for 3rd graders and I loved it as a 4th grader. I think 5th and 6th graders would enjoy it too, so I’d say the ideal age would be 8-12. Girls and boys alike loved it in my class.
Appropriateness: If you are offended by a fart joke or practical jokes you might want to stay away from this one, but in my opinion it’s all humorous and harmless fun. Nothing offensive here.
Captured by a giant! It’s lucky for Sophie he is the Big Friendly Giant. Had she been carried off in the middle of the night by the Bloodbottler, the Fleshlumpeater, the Bonecruncher, or any of the other giants-rather than the BFG-she would have soon become breakfast. When Sophie hears that they are flush-bunking off in England to swollomp a few nice little chiddlers, she decides she must stop them once and for all. And the BFG is going to help her!
It had been over 20 years since I read this book, but I remembered thinking it was hilarious as a 10 year old. So I decided to pick it up as our first read-aloud in my 3rd grade class. It was a hit! My students loved the way the BFG mixed up his words and they could not get enough of “whizpopping.” The story develops quickly so it kept their interest well, but it also has a great balance of developing details and really painting a picture of the characters, settings, and action. There is a lot of dialogue in the book which makes it especially fun as a read aloud. The text was on the perfect level for a class of 8 and 9 year olds.
Discussion material: The BFG inspired class discussions on metaphors, stereotypes, and geography. As a class we got to practice comprehension strategies inference, predictions, character mapping, sequence of events, and cause and effect.
Age Recommendation: Readers of any age can enjoy the fun, creativity, and humor in The BFG, but I think 2nd-4th graders will be especially enthralled.
Appropriateness: I didn’t find anything offensive or inappropriate; however, if you have a problem reading about passing gas (called whizpopping in the book) you may want to avoid this one. But if you are willing to loosen up and give it a chance, despite the whizpopping involved, you won’t regret it! It’s a clever and humorous adventure.
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